Robert D. Benne

Robert D. Benne is professor emeritus and research associate in the Department of Religion/Philosophy at Roanoke College in Salem, Va. He has written about visions of life through film.

Continue reading

Updated on . Posted on

Björn Krondorfer

Björn Krondorfer is a professor of religious studies at Northern Arizona University in Flagstaff. He is an expert on Western religious traditions and has particular interests in cultural studies, Holocaust studies and gender studies. He is also an expert on Madonna images in both religion and popular culture.

Continue reading

Erin Runions

Erin Runions is Associate Professor in the Department of Religious Studies at Pomona College in California. She is a specialist in the Hebrew Bible, which she reads from the perspective of cultural studies and gender and sexuality studies. She has written about the connections between scripture and film.

Continue reading

Updated on . Posted on

Omer Bartov

Omer Bartov, Brown University professor of European history, is the author of The “Jew” in Cinema: From the Golem to Don’t Touch My Holocaust (Indiana University Press, 2005). The book looks at how stereotypical portrayals of the “Jew” have informed European, American and Israeli cinema since the 1920s. In fall 2005, 200 students took his class, Modern Genocide […]

Continue reading

John Michalczyk

John Michalczyk, documentary filmmaker and co-director of film studies at Boston College, is interested in the intersection of politics and religions during conflict. He has filmed documentaries on conflict resolution in Bosnia and Croatia, South Africa, Jerusalem and Northern Ireland; Jews, Christians and the Holocaust; Nazi medicine; Boston’s Jews and Irish; and the dilemma of […]

Continue reading

Updated on . Posted on

S. Brent Plate

S. Brent Plate is a professor of religious studies at Hamilton College in Clinton, New York. He has written about religion, art and visual culture. Religions, he notes, discuss the creation of the world, and films work on re-creating the world. He’s interested in how film has “come down” off the screen and infiltrated rituals. His […]

Continue reading